I’m not very good at “Wordless Wednesday” because I’ve never been wordless at any point in my life. As an infant, I most likely had the noisiest brain, making observations and collecting ideas and opinions for a lifetime of blathering. Therefore, I propose Thoughtful Thursday instead, and offer a bit of Billy Collins on the English artist, John Constable and being a “Student of Clouds” from his book of poems Questions About Angels which I truly enjoy.
The emotion is to be found in the clouds,
not in the green solids of the sloping hills
or even in the gray signatures of rivers,
according to Constable, who was a student of clouds
and filled shelves of sketchbooks with their motion,
their lofty gesturing and sudden implication of weather.
Outdoors, he must have looked up thousands of times,
his pencil trying to keep pace with their high voyaging
and the silent commotion of their eddying and flow.
Clouds would move beyond the outlines he would draw
as they moved within themselves, tumbling into their centers
and swirling off at the burning edges in vapors
to dissipate into the universal blue of the sky.
In photographs we can stop all this movement now
long enough to tag them with their Latin names.
Cirrus, nimbus, stratocumulus —
dizzying, romantic, authoritarian —
they bear their titles over the schoolhouses below
where their shapes and meanings are memorized.
High on the soft blue canvases of Constable
they are stuck in pigment but his clouds appear
to be moving still in the wind of his brush,
inching out of England and the nineteenth century
and sailing over these meadows where I am walking,
bareheaded beneath this cupola of motion,
my thoughts arranged like paint on a high blue ceiling.
Add a soundtrack of “Blue and White” by Beth Waters, “Storm” by Lifehouse, and “Ocean Size Love” by Leigh Nash, and I can’t think of a better way to spend a Thursday morning after working on my patio trimming and repotting. Nice.